In their short time at Williams, swimmers Logan Todhunter ’12 (left) and Caroline Wilson ’13 have already caused a stir.

Mellon Curatorial Fellow Dalila Scruggs explores both her own identity and that of the College museum.

A conversation with Harvard University Press Art Director Tim Jones about his jacket design for Roosevelt’s Purge, by Susan Dunn.

On the Trail to Art, a blog created by Brian Cole ’11, details a two-week landscape art trip in the Marble Mountain Wilderness of Northern California. Landscape art requires the artist’s direct engagement with nature and native materials.

Henry Art, Robert F. Rosenburg Professor of Biology and Environmental Studies, has begun the fourth census of the permanent plots in Hopkins Memorial Forest, a research project celebrating its 75th anniversary.

Professor Scott Wong wants his students to understand that there is much more to the immigration conversation than what appears in the media. It has long been intricately woven into any discussion of what it means to be American.

For Frank Morgan, the best part of the Clay Institute prizes isn’t the money; it’s that the Clay challenge showcases what high-level math is all about — creativity, exploration, and human ingenuity in the face of the unknown.

The Chapin Library has received a bequest of paintings, drawings, and other materials by the distinguished British illustrator Pauline Baynes, best known for her illustrations for J.R.R. Tolkien and C.S. Lewis’ works.

Before farmers’ markets, organic agriculture and seasonal produce became mainstream in America, two Williams alumni — Barry Benepe ’50 and Kathleen Merrigan ’82 — set out to change the way consumers shop for food.